Serbia Trip Report June 2023

Serbia Trip Report June 2023

Due to the pandemic, the last time I used these hides in Serbia was in 2019 so I was eager to get back. It was a wonderful feeling to be back here again and I can honestly say the hides were as good as ever – in fact, this year I’d say they delivered some of the best opportunities I’ve ever seen. I met my 3 clients, Mike, Karen and Ray at Belgrade Airport before taking our transfer north to Vojvodina.

The next morning we had our first photo session – a beautiful setting for Hoopoe. Both parents were bringing food back to the chicks – my clients worked largely on capturing flight shots whilst I concentrated on video. We also got images of the youngsters peeking out of the nest hole! This hide is one-way glass, situated at ground level, with a wild flower meadow as the backdrop. It also doubles up as a White Tailed Eagle hide in the winter months.

hoopoe perched with food for chick in a flower meadow in serbia

hoopoe chick peering out of nest hole in a tree in serbia

The Tower Hide is always a busy place for photography. Here Red footed Falcon, Common Kestrel and European Roller all nest in close proximity. At times the action can be a little crazy – with so much going on that you don’t know where to point your camera! It often pays to concentrate on a specific species, or focus on a pre-visualised image. I’ve always struggled with flight shots here in the past; this time I managed my best flight shots of both Kestrel and Roller. The Red footed Falcons are always a challenge – their speed can be incredible!

male common kestrel calling on a perch in serbia

female common kestrel in flight in serbia

male red footed falcon perched in a tree in serbia in evening light

I tried a suggestion from one my clients, Ray, switching to a larger rectangular box for my autofocus. I was amazed how well it worked and I captured one of my best ever flight shots of a Roller as it swooped up to its perch. The Canon R6 auto-focus had locked on incredibly well and from 6 images, 4 were pin sharp on the head. Happy days!  Everyone enjoyed the Tower Hide very much and we did another session later in the week.

european roller in flight with food in serbia

The Water Hides are some of my favourites in Serbia. There are currently 2 in action, whilst a third one is being built for 2024. The main Water Hide is situated amongst the reed-beds with a beautiful view across the water. The background colours are beautiful and with low winds the reflections are very appealing. From our sessions here we photographed Grey Heron, Night Heron, Squacco Heron, Purple Heron, Little and Great Egret. The light here can be stunning – early in the morning the sun starts to break over the reeds and the quality of both sunlight and reflections is spot on.

squacco heron on lake in serbia
black crowned night heron with reflection on water in serbia in morning light

 

purple heron in flight in serbia

grey heron coming into land in reed beds in serbia

In our last session at the hide we had quite a surprise. Out of nowhere a White Stork landed, right in front of us and began to fish. We all took many, many images as the bird danced around, striking numerous poses and catching its prey. This was an absolute delight and something I had never seen from this hide before!

white stork stood in water on one leg scratching head in serbia

white stork feeding on fish in water in serbia

 

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The second water hide is a low down affair. Lying in a 4 foot high tube for hours on end is never comfortable… but I really like the aspect of this hide. Completely at ground level we had close up views of a range of birds that were naturally foraging in the shallow waters. Lapwing, Redshank, Great Egret and Purple Heron all came reasonably close for photography. It pays to keep turning over now and again (a bit like a spit-roast) to relieve tension in both your neck and back. Still, it might help to incorporate a little pilates into your life for moments like these…

redshank walking low down in grass in serbia

Some of my favourite images from this session were of a Pygmy Cormorant. The light was always flat and at times there was a little rain in the air. It was nice to get something different, a little atmospheric – the bird even did a nice shake for me at one point!

pygmy cormorant shaking off water in rain in serbia

There’s one bird I’d always wanted to capture in the past but never been successful – the Black winged Stilt. I think these birds are beautiful. Dainty and elegant.. although they can look a little too ridiculous at times when you realise just how long their legs are. As I’d hoped, a few of these birds slowly wandered in our direction and we managed some pleasing shots, often with blurred foregrounds.black winged stilt feeding in shallow water in serbia

black winged stilt feeding in shallow water in serbia

We did a solid 4 hours in that hide and, despite the discomfort, I really enjoyed my time in the there. And there’s always a sense of achievement at the end!

This year conditions for the Bee-eaters were fabulous. Shooting in the afternoon can give incredible light, particularly as the sun begins to set behind us. We shoot from a pop-up hide, which the birds readily accept. The bubbling sound here is just incredible, something that can’t be conveyed in the images – but you can listen to it in my Serbian Photo Tour Video

european bee-eater calling on perch in evening light in serbia

european bee eater food pass on branch in serbia

Simple portraits aren’t difficult to capture and even the food pass is relatively easy. So, with such great light, and favourable winds, I set about capturing some decent landing shots as birds came to alight on the perches. It’s often trial and error, but after a few attempts I managed some images I was really happy with.

european bee-eater coming into land on branch in serbia

european bee-eater coming into land with wings outstretched on branch in serbia

Without doubt, one of the highlights for me was our new location for Birds in Flight Photography. This site allows us to shoot at eye level and with such good activity we had numerous attempts at our flight shots. In just a short space of time we had photographed 4 species of Heron, 2 species of Egret and 2 species of Cormorant, not to mention the many Gulls – all from the same place!

night heron in flight with blue sky in serbia

Over the week we photographed at a second Hoopoe Hide, a Penduline Tit nest, and enjoyed ‘in the field’ photography with the help of our knowledgeable Serbian guides. We photographed Spoonbill, Great Reed Warbler, Moustached Warbler, a family of Bearded Tits and numerous Marsh Harriers! We had sightings of Red backed Shrike, Saker Falcon and Little Bittern. The species we saw reached impressive numbers – we counted around 50.. just in one morning! We finished our tour with a morning trip to Subotica, with a local guide, for a little sight-seeing and to learn about the history of the town.

two bearded tits perched in reeds in serbia in summer

It was a great week with some truly memorable moments. As always a big thank you must go the hide operators who work extremely hard. And a massive thanks to my clients for making it such a fun trip, great company to have!

Watch my video of this years’ Serbian Bird Photography Tour on YouTube

 

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Photograph the Famous Roosting Long Eared Owls of Serbia

 

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Full Bird List for this Tour

I’ve done my very best to list everything we saw and heard, but there were so many species I may have missed something!

Farmland / grasslands: Red footed Falcon, Common Kestrel, European Roller, Jackdaw, Collared Dove, Common Starling, Magpie, Carrion Crow, Hooded Crow, European Bee-eater, Common Cuckoo, Saker Falcon, Hobby, Stonechat, Turtle Dove, Golden Oriole, Woodpigeon, Corn Bunting

Water Birds: Grey Heron, Black-crowned Night Heron, Squacco Heron, Purple Heron, Great Cormorant, Pygmy Cormorant, Great Egret, Little Egret, Little Bittern, Spoonbill, Black winged Stilt, Mute Swan, Coot, Mallard, Pochard, Red crested Pochard, Ferruginous Duck, Tufted Duck, Greylag Goose, Redshank, Northern Lapwing, Marsh Harrier, Black headed Gull,  Mediterranean Gull, Black Tern, Whiskered Tern, Kingfisher

Reed beds / Wetlands: Bearded Tit, Sedge Warbler, Reed Warbler, Great reed Warbler, Moustached Warbler, Penduline Tit, Sand Martin

Woodland and Scrub: Whitethroat, Red backed Shrike, Lesser grey Shrike, Long eared owl, Little Owl, Great spotted Woodpecker, Syrian Woodpecker, Green Woodpecker, Jay, Great Tit, Chaffinch, Blackcap, Whitethroat

Other Wildlife: Otter, Roe Deer, Brown Hare, Water Snake, Frogs, Lizards, Butterflies, Damselflies & Dragonflies

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How to Photograph Birds in Flight: Advanced Photography

How to Photograph Birds in Flight: Advanced Photography

My latest YouTube video is an advanced photography tutorial on photographing birds in flight. I discuss how to set up your auto-focus for flight photography and how to use the AF case settings. Whilst aimed more at Canon users it’s also useful for photographers with other equipment. Click the image below to watch the video.

You might also be interested in the earlier video I produced How to Photograph Birds in Flight – this is a more general video and suitable for beginners.

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How to Photograph Birds in Flight

photographing birds in flight

Photographing action is one of the toughest aspects of wildlife photography and none more so than photographing birds in flight. It requires practice and perseverance – along with a little technical know-how.

What Lens to Use?

For the majority of bird photography you’ll need a fairly big lens – probably 400mm or bigger; but for birds in flight a 300mm may suffice. The focal length however isn’t the only consideration. Are you likely to be hand-holding? In this case the weight is a significant issue. If you’re not sure, the best way is always to test one out – you’ll soon get an idea just how long you can hold it for! I’ve been a Canon user for a long time and the Canon EF 300mm f 2.8 (Mark i and Mark ii) has long been regarded as one of the best lenses out there for photographing birds in flight. Other options include the Canon EF 400mm f5.6 and the Canon EF 100-400mm f4.5 – f5.6 IS (Mark i and Mark ii). All these lenses are suitable for hand-holding and can be carried around for reasonable amounts of time. Longer lenses such as the Canon EF 500mm f4 IS (Mark i and Mark ii) and the Canon EF 600mm f4 IS (Mark i and Mark ii) can also be excellent for flight photography but can only be hand-held for short periods of time due to their weight It’s more appropriate is to use these larger lenses with a tripod and a gimbal head allowing for quick changes of direction when tracking birds.

Flight Photography Technique

It’s tempting to try and concentrate solely on keeping the bird within the focus points. Whilst this is the idea, I find it best to try and match the speed and movement of the bird – so try and think of it more that way when you’re tracking. When hand-holding try to pan from the waist whenever possible; stay reasonably relaxed and fire the shutter smoothly: watch the YouTube video to see me demonstrating When using a gimbal head, make sure you adjust the resistance knobs so it is comfortable for you. It’s also important to be aware of relative speed. If a bird is in the distance you won’t have to move the camera as quickly but once it comes near you will have to pick up the speed of panning. Most modern lenses will also have image stabilisation/vibration reduction. It is sometimes believed that they help to get sharp images of action but in reality that’s not really the case. Using IS or VR won’t stop movement of your subject – and with fast shutter speeds it probably won’t have much effect on camera shake either. However, it can help by stabilising the viewfinder, thereby making tracking a little easier.

Shutter Speeds and Apertures

Above all you need a fast shutter speed for birds in flight. I like to be at 1/1000 or faster most of the time. However, every situation varies. Whilst 1/1000 is a good shutter speed to aim for, slower moving birds such as hunting owls can be photographed with slower speeds such as 1/500. On the quicker side, a diving red kite for example or a small bird in flight, and you’ll often need 1/2000 or higher.

how to photograph birds in flight
Red Kite in dive, 1/3200 with 300mm f4 lens

As for choice of aperture, setting a fairly wide aperture will let in more light, helping to keep the shutter speed higher. That said, I like to stop down a little to ensure a greater depth of field throughout the bird. With a lens of 400mm or 500mm I’ll often use around f7.1. In terms of ISO it’s really a case of adjusting this to give you an accurate exposure without creating too much noise in the image. In bright light you might not need to go above ISO 400 whilst in duller conditions and when shooting near sunrise or sunset you might be closer to ISO 2000.

Focusing and Frame Rate

For birds in flight you’ll need the tracking auto-focus option. The will be AF-C on Nikon and AI Servo on Canon. So long as you keep the focus engaged this will track the bird continuously. You can focus with the shutter button (half pressed) or you can use the Back Button Focusing method. Experiment to see what works best for you. You need to have the frame rate set to continuous as you’ll want to take a burst of images. Modern cameras can shoot 14 frames per second and more but the majority of the time a frame rate of around 7 frames per second is sufficient. On advanced cameras such as the Canon 1DX you can set a maximum and minimum frame rate. 

When it comes to the actual area of focus there are a number of options. A single focus point in the centre can often be accurate. However, a small cluster of 4 or 9 for example, around the centre is also a good option. My advice is to use less focus points if the background is a little ‘busy’ and if the bird is relatively small in frame. If the bird is more frame filling with a good clear background then you may be able to use all the focus points effectively.

photographing birds in flight
Red throated Diver; 400mm lens, 1/1600 with centre cluster of focus points, shot at 10 frames per second

Exposure

This is probably the trickiest of all and you should experiment to find your favoured way of exposing for birds in flight. If lighting conditions are consistent then manual exposure can work well. In bright sun with clear skies, set your desired shutter speed and aperture, then point the camera directly above at the deepest part of the blue sky. Adjust the ISO until the exposure meter is in the centre. This will give you a good base reading; you may need to adjust slightly. The advantage of manual exposure is that you are in complete control of all settings. Aperture Priority, A or AV, can be ideal and certainly works well in changing light. Here you will set your preferred aperture and the camera will select the shutter speed. Adjust the ISO so you are getting a fast shutter speed of around 1/1000. One issue with this method is if the sky is quite light you will need to add some plus exposure compensation (overexpose) to stop the image coming out too dark. Shutter Priority mode can also be used but is more complicated to achieve consistent results.

Click Here to watch my video on Understanding Exposure

flight photography
Red footed Falcon; 500mm f4 lens, shot on Manual exposure at 1/1250 at f 7.1; ISO 1600

Auto ISO is another useful exposure tool where the camera adjusts the ISO itself. In manual exposure you can set both the shutter speed and aperture then select Auto ISO; only the ISO will change. In Aperture Priority you set the aperture and the camera adjusts the ISO (and shutter speed to an extent).

There’s a lot when it comes to photographing birds in flight but like anything it just takes practice. Put all these skills to good use and you’ll soon be surprising yourself at the quality of your bird shots! If you want to improve your wildlife photography skills consider joining one of my Wildlife Photography Workshops or a day of tailor made One to One Tuition

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